I mixed and mastered this last year, out in March this year. It’s a stone cold classic song is this. Very happy to have been involved.
Well, another year gone, and, as ever, a busy one full of some really excellent music.
It’s been the year I finally launched the Library Music company I’ve been planning for years. It’s been extraordinarily stressful to get it up and running, and frustrating that I haven’t spent as much time on it as I’d like to, but I’m really pleased with the catalogue I’ve released, with 3 albums nearly ready to go in the first bit of 2015. I’ve learnt so much in doing it: where to put my time and where I really shouldn’t have bothered. Won’t be sure if any music’s been used til the middle of the year, really, due to the way the collection societies and cues work but I have pretty clear plans for the next year or 2: the very definition of a slow burner.
Mixing’s been great this year : as well as the TV stuff, there’s been lots to do : I’ve mixed the next 2 Daydream Club singles ready for 2015: really enjoy being part of their world: super organised, but, importantly, really great songs..these next 2 singles will see them get to the next level, for sure, building off the back of their million streams profile from the last EP I mixed last year. I should really now refer to myself as ‘million streaming producer, mixing and mastering engineer’ … but I won’t 😉
Am half way through mixing an album by One Cure For Man: one man indie rock army with some hefty songs…all self recorded. Some great epic moments on there… enjoying mixing it immensely: I genuinely love DIY people who recognise they can do it themselves, but need a helping hand here and there. James, from the band (or rather the band) is one such example.
Started recording / mixing a new Shortwave Fade EP in feb.. not quite sure that’s finished or not..? Good tunes, though. Stone Roses-esque proportions of in-between-material-ism, although the singer’s just had a baby , so will let them off.
Enjoyed mastering a load of Edgy Production albums: been doing their stuff for over a decade, and have known the people there for ever and ever. Lovely to be involved in such a different project
I mixed a new track by more old friends, Sally and Greg under their new banner The Aurora…I think there’s a web site coming but here’s the track.
Just finished another production for Hannah Magenta under her Mwah foil: uber smooth pop. Here’s one I did a while ago for her.
.. the new one’s a bit more Madge (Madonna, rather than Bishop)
Had a great time at Simon Says festival at DMH in July: I did a pop up studio and gorged on recording some really great artists: recorded quickly, just how I like it (avoids boredom), and mixed back at my studio. As well as the Daydream Club, a few of these artists are doing really well, especially her and him
I’ve done a few remixes this year.. I enjoy doing these loads… blows the cobwebs away and no pressure for them to really do anything!
Highlight for me has been the Momus remix: am a really massive fan. Was bait obsessed with him in the late 80s into the 90s, so to get the ‘I like it, and here’s a video I made for it’ email from him was a real joy.
Anyone who knows me from my late teens will really know what a career high it is.
Anyway, in other remix news, I did this one for Laura Kidd who goes under the She Makes War banner ..I think it was last year I finished it, but it came out last week.. one of my favourite remixes I’ve done
.. I actually did another for 3 or 4 years back, and I love that one too. Am a fan of Laura’s work ethic x 1000 : look her up, gloom pop fans.
In the summer I remixed Lily Allen’s last album title track : I like bits of this remix… I imagine it’ll end up being torn up and used elsewhere in my canon, but I loved doing it
Have enjoyed lots of music, but particular albums I’ve loved, in no particular order:
Lykke Li ; ‘I Never Learn’ (not as good as the last album, but extra points for looking like she’d smell nice)
St Vincent ; ‘St Vincent’ (probably my album of the year, fact fans)
Johnny Marr ; ‘Playland’ (horrific sleeve, though, love…ask for help from Morrissey in future, yes?)
Wild Beasts : ‘Preset Tense’ (patchy but ace in places)
Morrissey : ‘World Peace Is None Of Your Business’ Lyrically patchy, musically panoramic
Baxter Dury : ‘Its A Pleasure’ (close second for album of the year)
Beck : ‘Morning Phase’ (lushest sounding album of the year)
Future Island ; ‘Singles’ (you just keep remembering Samuels dancing)
Jessie Ware : ‘Tough Love’ (it’s a bit long and theres a bit of an X Factor choir at the end of one song that spoils it)
Royksopp and Robyn ‘Do It Again’ (gorgeous electropop)
Gruff Rhys ‘American Interior’ (proper quirky pop)
Track of the year for me has to be the Future Islands single ‘Seasons (Waiting On You)’.. not that its an amazing song, just that I loved the way the Letterman performance blew me away in a way that rarely happens: ties the song with a moment in time, as this piece in the Guardian points out
Gig of the year was Morrissey at the 02 in November: he was in fine voice, and he brought a little tear to my eye when he did ‘Trouble Loves Me’ , ‘Asleep’ and ‘Meat Is Murder’ (complete with brutal video backdrop that surely converted a few people that night), despite it being a cavernous venue, his voice filled it. After all this time, he really is one of a kind.. and ace tour t shirt 😉
Film of the year : ‘Northern Soul’ : lovely clothes, excellent music and amazing dancing.
So, new year around the corner, continued wishes for healthy family and time to enjoy them, continued musical journeys with nice people
Hope you all had a good year, and here’s to a great 2015
Genuinely honoured to have completed this remix
A couple of weeks ago , I emailed him to see if he’d let me have a go at a track, and he said ‘sounds like fun!’ So, took it from the jaunty pop of this:
to the wonky analogue dark disco of this
I’m a really big fan of his work… especially through the late 80s: proper left field pop.. I don’t quite know where to begin to explain Momus’ career, but this is as good a starting point as any .
Download for free 6 early albums (all are ace ) here
One of the few job perks are the holidays. Half term’s been great.
Finished off mixing a Daydream Club single for release next year… second single I’ve done this year : both are just brilliant. A masterclass in simple messages underlined by gorgeous arrangements. Adam’s done a great job of organising the recordings.. a real pleasure to mix, like the last EP was
Started production on a new Hannah Magenta track , harnessing the woosy pop of Jessie Ware a bit on the new one (but here’s one I produced a while back for Hannah)
Spent some time watching a load of Mix With The Masters videos: if you have any interest in the mixing process, these videos are gold!
A particular fave is Steve Albini’s but every one Ive watched so far’s had me noting down some great things to try.
…or , rather ‘why I don’t work in A and R’
Back in the late 90’s I was working as one of the in house engineers at the Charlotte in Leicester.
I’d done Saracuse’s sound a couple of times before… Saracuse was Kasabian’s name before they got signed, fact fans.
Serge called me to ask if I could do their sound at a gig: they had an A and R man from Sony coming up to see them and the band had liked what I’d done with them before. Serge popped a CD round to my flat of some stuff for me to listen to…. wasn’t really my bag, but was well produced.
Andy at the Charlotte helped by slipping them into one his ‘Local Showcase Nights’ : I remember showing up for soundcheck, chatting to the band, and trying to work the stage times out so the Sony guy could see the band, whilst not pissing the other bands off.
Tom was super polite, Serge quiet and focussed, Chris didn’t say much and, Chris Karloff … don’t remember much about chatting to him. There was a DJ scratching then, too: no drummer: it was minidisc providing the beats.
The band did their thing: I honestly don’t remember anything about the band the other times I did their sound, but as there was A and R, I thought I’d better record it…the band weren’t aware I was recording it at all (get in touch, boys, if you want a copy)
Listening back, I remember bits about what I thought of the band when I saw them: When Serge sang, he was really weak compared to Tom: proper strong vocals and really charming but it was super clear Serge was the driving force. The Minidisc was proper unusual for the time: DJ scratchy bollocks was a bit of a novelty, but the whole ‘sound’ was pretty original, though no way did I ever think they’d go onto what they’ve achieved : in fact I thought ‘shut Serge up, take his mic away’. Still think that now! So, what do I know, eh?
Will post a snippet of that night’s recording one day.