As ever, an extraordinary amount of time has passed since the last log post.
Have been recording for Kafka Diva’s second album…well, I’m recording the drums, they’re recording the rest at their house, then files over to me to mix and master…..we’re about half way through.
Started recording a new Shortwave Fade single last week, and there’ll be an acompanying remix EP that I’ve done for them, too.
Speaking of remixes, I’ve just finished one for a band I really really loved from the late 80’s, early 90’s : they’ve signed it off and ‘love it’….just looking how to release it..I will no doubt shout about it when they do.
I was back at Simon Says festival doing the pop up studio again: was great again…I say it pretty much every year, but it makes up for my lack of recording through the rest of the year. Highlights included The Millmen..10 piece Ska band….10 piece! 4 Mics! 4 DIs! ..really love the limitations and it sorts the men from the boys… also loved catching up with Uncle Frank
Books? Finished ALL the Mixerman books now…that’s all the ‘Zen and the Art of...’ series, and the newest Billionaire Apparent one…..they’re all brilliant. The Zen ones make you approach everything with some balls and attitude. He’s streaming the audio version of the ‘Daily Adventures Of Mixerman’ at the moment…so funny ,and so much to learn! Essential listening
Have released a few more music for media albums….more to come..upping the release rate with that now I have more composers on the books and a good co-publsher to do the leg work.
Gigs….slow year but made up for it with a gig in Manchester seeing New Order and the Royal College of Music’s synth orchestra.
It was amazing….playing some of my favourite songs from my teens and early 20s..the years you’re most influenced by the music you take in, I think. Vanishing Point was just perfect…but Shellshock stole the show (surprisingly, as its not a strong single)
Albums thus far: Father John Misty’s is great, Goldfrapp’s is great, Mac De Marco’s is good….ummm….can’t think of any other this year so far…
Annual festival recording made me return to Demontfort Hall for the Simon Says festival last weekend.
The last two years I’ve been in the Garden Suite.. lovely vibe there.. this year, we were stuck upstairs out of the way… less vibes, but some good stuff recorded.
Usual fighting against adjacent sound stages and time, but, again, managed to capture some lovely performances with a couple of students doing lots of the work. Mixed in between sessions then finished mixing off and mastered super quick in my studio here.
I used Logic X again: I set up a template in advance with go-to reverbs and delays to make the mixing as smooth as possible… short plate, hall-verb, amp verb and 2 tape delays: slap-back and mid length delay.. along with compression and EQ that was that.
Recording was taken care of with a pair of Beta 57s: I love these.. directional and warm. There was a couple of 58s and 3 DI’s to cover every eventuality.
All this was plumbed into an Alesis USB Multimix desk : this is the 5th year I’ve used that.. been pretty rock solid bar 1 restart.
I rarely record these days… I do much more mixing out of choice.. I can get super bored in recording sessions waiting for stuff to happen… so it’s great to gorge on loads of artists over a weekend recording some magic super quickly with no hanging around!
Well, another year gone, and, as ever, a busy one full of some really excellent music.
It’s been the year I finally launched the Library Music company I’ve been planning for years. It’s been extraordinarily stressful to get it up and running, and frustrating that I haven’t spent as much time on it as I’d like to, but I’m really pleased with the catalogue I’ve released, with 3 albums nearly ready to go in the first bit of 2015. I’ve learnt so much in doing it: where to put my time and where I really shouldn’t have bothered. Won’t be sure if any music’s been used til the middle of the year, really, due to the way the collection societies and cues work but I have pretty clear plans for the next year or 2: the very definition of a slow burner.
Mixing’s been great this year : as well as the TV stuff, there’s been lots to do : I’ve mixed the next 2 Daydream Club singles ready for 2015: really enjoy being part of their world: super organised, but, importantly, really great songs..these next 2 singles will see them get to the next level, for sure, building off the back of their million streams profile from the last EP I mixed last year. I should really now refer to myself as ‘million streaming producer, mixing and mastering engineer’ … but I won’t 😉
Am half way through mixing an album by One Cure For Man: one man indie rock army with some hefty songs…all self recorded. Some great epic moments on there… enjoying mixing it immensely: I genuinely love DIY people who recognise they can do it themselves, but need a helping hand here and there. James, from the band (or rather the band) is one such example.
Started recording / mixing a new Shortwave Fade EP in feb.. not quite sure that’s finished or not..? Good tunes, though. Stone Roses-esque proportions of in-between-material-ism, although the singer’s just had a baby , so will let them off.
Enjoyed mastering a load of Edgy Production albums: been doing their stuff for over a decade, and have known the people there for ever and ever. Lovely to be involved in such a different project
I mixed a new track by more old friends, Sally and Greg under their new banner The Aurora…I think there’s a web site coming but here’s the track.
Just finished another production for Hannah Magenta under her Mwah foil: uber smooth pop. Here’s one I did a while ago for her.
.. the new one’s a bit more Madge (Madonna, rather than Bishop)
Had a great time at Simon Says festival at DMH in July: I did a pop up studio and gorged on recording some really great artists: recorded quickly, just how I like it (avoids boredom), and mixed back at my studio. As well as the Daydream Club, a few of these artists are doing really well, especially her and him
I’ve done a few remixes this year.. I enjoy doing these loads… blows the cobwebs away and no pressure for them to really do anything!
Highlight for me has been the Momus remix: am a really massive fan. Was bait obsessed with him in the late 80s into the 90s, so to get the ‘I like it, and here’s a video I made for it’ email from him was a real joy.
Anyone who knows me from my late teens will really know what a career high it is.
Anyway, in other remix news, I did this one for Laura Kidd who goes under the She Makes War banner ..I think it was last year I finished it, but it came out last week.. one of my favourite remixes I’ve done
Track of the year for me has to be the Future Islands single ‘Seasons (Waiting On You)’.. not that its an amazing song, just that I loved the way the Letterman performance blew me away in a way that rarely happens: ties the song with a moment in time, as this piece in the Guardian points out
Gig of the year was Morrissey at the 02 in November: he was in fine voice, and he brought a little tear to my eye when he did ‘Trouble Loves Me’ , ‘Asleep’ and ‘Meat Is Murder’ (complete with brutal video backdrop that surely converted a few people that night), despite it being a cavernous venue, his voice filled it. After all this time, he really is one of a kind.. and ace tour t shirt 😉
Film of the year : ‘Northern Soul’ : lovely clothes, excellent music and amazing dancing.
So, new year around the corner, continued wishes for healthy family and time to enjoy them, continued musical journeys with nice people
Hope you all had a good year, and here’s to a great 2015