Summer’s nearly gone….

As ever, an extraordinary amount of time has passed since the last log post.

Have been recording for Kafka Diva’s second album…well, I’m recording the drums, they’re recording the rest at their house, then files over to me to mix and master…..we’re about half way through.

Started recording a new Shortwave Fade single last week, and there’ll be an acompanying remix EP that I’ve done for them, too.

Speaking of remixes, I’ve just finished one for a band I really really loved from the late 80’s, early 90’s : they’ve signed it off and ‘love it’….just looking how to release it..I will no doubt shout about it when they do.

I was back at Simon Says festival doing the pop up studio again: was great again…I say it pretty much every year, but it makes up for my lack of recording through the rest of the year. Highlights included The Millmen..10 piece Ska band….10 piece! 4 Mics! 4 DIs! ..really love the limitations and it sorts the men from the boys… also loved catching up with Uncle Frank

 

Books? Finished ALL the Mixerman books now…that’s all the ‘Zen and the Art of...’ series, and the newest Billionaire Apparent one…..they’re all brilliant. The Zen ones make you approach everything with some balls and attitude. He’s streaming the audio version of the ‘Daily Adventures Of Mixerman’ at the moment…so funny ,and so much to learn! Essential listening

Have released a few more music for media albums….more to come..upping the release rate with that now I have more composers on the books and a good co-publsher to do the leg work.

Image result for new order so it goes

Gigs….slow year but made up for it with a gig in Manchester seeing New Order and the Royal College of Music’s synth orchestra.

It was amazing….playing some of my favourite songs from my teens and early 20s..the years you’re most influenced by the music you take in, I think. Vanishing Point was just perfect…but Shellshock stole the show (surprisingly, as its not a strong single)

Albums thus far: Father John Misty’s is great, Goldfrapp’s is great, Mac De Marco’s is good….ummm….can’t think of any other this year so far…

 

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Zen and The Art Of Mixing

Regular readers will know I l-o-v-e-d the Daily Adventures Of Mixerman.. I really can’t recommend that enough. Well, Eric Sarafin’s written another three (soon to be four) books, on mixing, recording and mastering… so was super keen to read each of those. I’ve started with the Mixing one, just because I love mixing.

zenandtheartofmixing3D-400

What was apparent about The Daily Adventures of…. was Eric’s writing style was so forthright: I was wondering how it would translate to a book about a relatively narrow subject (but with wide scope within it), and one with already a load of technical books out there (‘use a DBX 160 on a snare, use a 1073 on a vocal’, ‘let’s examine standing waves’.. this sorts of things) The great thing is, this book isn’t really about these technical aspects.. they are unavoidable when covering this subject, but this is a book with attitude, and, that word is key to why this book works. It’s made me look hard at how I have and do approach mixing, and raised lots of things for me to try in future mixes. It offers pragmatic advice about everything from pricing your skills to phase coherency.

Even opinions you might question are presented with such weight and with such eloquence you just think ‘well, if Eric says this is how it is, then this is how it is’.. or, at the very least, you feel better about sticking to your original thoughts because you’ve weighed up an argument

“Mixing is a game of confidence. If you’re confident, you’ll mix great. If you’re not, you won’t. Confidence in mixing is critical” I love this quote, and this is a theme that crops up a few times in the book: makes perfect sense, really.. we’re all tortured artists with senses of self doubt, but mixing is where the whole process should come together.. we should be absolutely certain we can make a kick ass mix.. its the producer’s job to have presented us with the elements…let the producer fret, not the mixer!

Anyway, whether you’re new to mixing or have been doing it for years, this book’s great: you will get technical geek stuff from it, but you’ll get a host of the thoughtful stuff we all go through : absolute gold.

As an aside, here’s Eric on Pensado’s Place : is it me, or doesn’t Herb like him?

 

Best book ever?

Paul from Seamus Wong recommended The Daily Adventures of Mixerman a couple of years ago… and finally got round to reading it

ReadTheDiaries

It’s a satire based on the recording of a big budget album in 2002: back in the days when major labels threw money at bands, rich with the money from reselling catalogue on CD. Mixerman (engineer/producer Eric Sarafin) details his sessions with Bitch Slap, a ‘bidding war band’ : not particularly much to do with the technicalities…mic choice, pre amp settings and the like, but a massive amount to do with the idiocy of major labels, and the characters surrounding a band signed for silly amounts of money with the pressure on to sell hits. Well, to sell hits, they need to record hits, and that’s where the diaries reveal such a wealth of characters anyone who’s ever worked in the music industry will recognise. The recording of these hits is painful at best: ghost bassists, session drummers, girlfriends, preening singers, astounding wastes of money…all told in such a warm way by Eric with a story that unfolds in such a great way.Very much a time capsule in some respects of how never ending budget albums were made.

Mixer man clearly knows his onions: his people skills, the way he reads a room and the band, the way he recognises the dynamics of the team and tries so hard to progress the sessions is so interesting, and, so often made me laugh out loud.

This book should be essential reading for budding producers, engineers and bands: read it, absorb it and the mistakes that were made and learn from it!

More books to read, am some way into Zen and The Art of Mixing, and that’s making me look at mixing in a different way: great perspective changer.